A morning at South March (part 2)
July 17th, 2014
In most of Ottawa, Rose-Breasted Grosbeaks are something you see passing
through in spring and fall, but South March has a robust breeding population.
I'd never seen them like this before, though: both males and females were
foraging on ground--not merely on the ground, but
on the trail--right
in front of me.
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So were they looking for food? On a cold morning like that one, it makes sense
that the only insects they could find would be on the ground. Or were they
looking for nest material? Or were they gritting, perhaps--eating small
pebbles for their gizzards? (Some finches come right out onto roadways to do
that.) It was on a later day, walking through the same woods with my husband,
that I discovered the answer by kneeling down and studying the earth where a
grosbeak had been foraging: someone has been scattering birdseed on the
trails.
And I'm of two minds about it. On the one hand it's making for some stunning
views of songbirds that usually stay well up in the trees. (That day with
Michael I saw a
Scarlet Tanager, of all things, come to ground!) On the
other hand, it seems questionably ethical to deliberately attract birds onto
trails where fast-moving mountain bikes are the norm.
The more soberly attired female:
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A morning at South March (part 1)
July 13th, 2014
This is it. A grand finale of sorts.
This post and the following few will contain the photos I took the day
the
music my camera died. It was a beautiful spring morning at South March
Conservation Forest, with songbirds and wildflowers abounding, and I'm happy
to say I captured much of it before the camera breathed its last. Once these posts
are done, there will be a lull of at least a few months. So enjoy!
My day began at sunrise with this fellow, a Yellow-Bellied Sapsucker, at the
entrance gate. To recap, sapsuckers are specialized woodpeckers who drill rows
of tiny holes in living trees, then lick up the sap that wells out--they are
not just a joke insult used by Yosemite Sam against Bugs Bunny :-) They're
comparatively shy woodpeckers. Only in the early morning, I think, could I
have chanced to see one in such an exposed location. He began to play hide and
seek with me, as woodpeckers do (skittering around the post to try to stay out
of my sight), and eventually flew off.
It was the sound that had announced him: a very loud, resonant clanging.
Classically, woodpeckers drum on trees to declare territory, but if they can
find something noisier to drum on, they might use that instead. This cheeky
fellow got good results by banging on the "stoop and scoop" sign at the trail
entrance!
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Living Color
July 7th, 2014
Some photos that I didn't get around to posting before.
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Blue Jays don't get their colors from pigment, but from the way their feather
structures refract light. (In other words, if you crush a blue jay feather
down to powder, it won't be blue anymore!) They can look amazing when the
light strikes them just the right way. View at full res to appreciate--you can
actually see a moire pattern on his tail.
A breeding Red-Winged Blackbird in the Nortel wetland, photographed earlier
this year.
Birdsfoot trefoil. I think this very common wildflower brightens the
landscape even better than dandelions.
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A pair of foraging Willet sandpipers. This one goes back to our Cape Hatteras
vacation in summer 2012.
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Wood Duck Pair
July 3rd, 2014
On the shore of Mud Lake, with a first-year male Red-Winged Blackbird foraging
nearby. The drake was about to scratch an itch.
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Carp Ridge
June 29th, 2014
Every year I'm struck anew by the strange beauty of Carp Ridge. It seems
almost otherworldly to me.
This rocky, lichen-encrusted landscape is one of the best places in Ottawa to
find rare breeding birds, including towhees, whippoorwills, and nighthawks.
It's also unfortunately one of the best places in Ottawa for finding deer
ticks. I've often wondered if there is a connection between these two facts.
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April's Kinglets
June 25th, 2014
I managed to capture a few Ruby-Crowned Kinglets on their way through this
spring. Here they are, somewhat belatedly! This flock was along the trail at
Nortel wetland. Notice the filaments on the feet and rump of the first bird: I
think that's cattail fluff. They were foraging right next to the marsh and
occasionally in it.
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Trout Lily
June 9th, 2014
It deserves a better name, don't you think?
This close-up makes it look huge, but it's actually a delicate miniature lily,
one of the first wildflowers to appear in spring. It soaks up the sun before
the tree leaves above have unfurled and cast it into shade. Trout lilies grow
in often dense colonies in rich woods--but I've never caught more than a few
of them blooming at the same time. So I look for the leaves first (green and
mottled brown), and then I search for a flower.
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Avian Soap Operas
June 1st, 2014
So Sedge Wrens are kind of dastardly.
They are also rare and elusive. They breed in moist tall-grass meadows, where
they spend most of their time creeping through said grass. The only time when
you really have a hope of seeing one is when it sings. The song at least
allows you to hone in on the spot where the wren is creeping through the
grass, or, if you're lucky, it might come up a short distance into a bush or
onto the top of a tall stalk. The urge to declare territory and/or catch a
female wren's eye may briefly overrule the urge to stay hidden. The best time
is before the sun is up, or shortly after. These shy birds seem to shrink away
from full daylight.
For some reason, they are also very nomadic. A colony of Sedge Wrens may
spring up in an area one year, and then disappear from that area for years
thereafter for no apparent reason. The going theory among scientists is that
good habitat for Sedge Wrens is a very particular and transitory thing, and
even a slight change in, say, water level may render a meadow uninhabitable to
them. I have an alternative theory, one which also explains why they are so
secretive and maybe even whey they are so rare: other birds hate them.
They really do. That by itself (the hate) is more than theory, it's something
I've established from repeated observation. I first noticed it back in May of
2012 when I heard a singing Sedge Wren in the Nortel wetland. It was in an odd
spot, just a small area of fairly short grass across the trail from the marsh,
but I was confident of the ID. A Common Yellowthroat flew towards the song,
there was a confusing aerial kerfuffle, and then two birds flew off with one
in hot pursuit of the other. Thereafter, there was no more Sedge Wren song. I
never saw the bird well enough to list it.
I came back to the spot many more times hoping to see the wren. I even came
back in spring of 2013 hoping it would pass through again. Each time I brought
a recording device and played Sedge Wren song in hopes of drawing one out. I
never got a response from a Sedge Wren, but boy, did I get a response from the
other birds! I got scolds, alarm calls, birds flying at me, birds perching in
the open and looking in every direction trying to find the singer. The
skulking but ever-vigilant Common Yellowthroats were guaranteed to emerge from
the undergrowth and give me beautiful looks at themselves whenever I played
back the wren.
Why? Because Sedge Wrens are bad neighbors. They are in fact terrible
neighbors. These adorable four-inch birds with their delicate staccato songs
are little avian sociopaths. They will sneak into the nests of nearby birds
(even fellow Sedge Wrens) and methodically puncture every egg. They don't do
it (near as we can tell) because they particularly like the taste of eggs.
They do it to reduce competition for resources. If their neighbors have no
surviving young to feed, that's all the more food for the Sedge Wren's babies.
So the birds who share habitat with them have long since evolved to recognize
them as a threat. They will do everything they can to dissuade the wrens from
settling down to breed.
So--it's a stretch, I know--but could it be Sedge Wrens are so nomadic because
they need to burn bridges now and then? That once the area birds are wise to
their tricks, adept at harassing them and interrupting their egg-puncturing
rounds, it's then time to move on to a fresh batch of
victims
neighbors?
I'd been trying to lifelist this elusive bird for seven years. So when I heard
that up to three males were singing in a meadow near the Nortel wetland, I
grabbed my scope (the alternative to wading through dew-soaked thigh-deep
grass) and rushed out to look for them in the very early morning. I was not
disappointed! Over the course of an hour I managed multiple good views. To
anyone hoping to do the same, I would offer a few bits of advice: go out there
at sunrise or even before the sun is quite up, bring a scope if you have one,
and pay special attention to bushes and other elevated spots--they do
sometimes ascend when they sing, though they rarely come completely out in the
open. And lastly, if there are other birds in the meadow who are acting
agitated, follow their eyes. They may be as interested as you are.
This morning I watched as a Red-Winged Blackbird and a robin converged on a
bush containing a Sedge Wren (which I could hear but not see.) The instant it
dared to sing, they both made their way down towards it, with clear hostile
intentions. Its defense: clam up and lay low. Few things are less findable
than a Sedge Wren clamming up and laying low. As I watched both birds sit
there in the middle of the bush with their eyes glued on the grass below,
waiting for it to pipe up again, I was struck by how much they and I resembled
each other, the flummoxed birds and the flummoxed birder.
They eventually gave up and left. I didn't. And after the coast was clear, the
sneaky Sedge Wren began to sing again.
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The Phantom of Carp Ridge
May 27th, 2014
In the wee hours of the morning today, I drove out to Carp Ridge for the
nocturnal festival.
There are three nocturnal specialties there. One is the nighthawks. In spring
male nighthawks perform spectacular aerial dives to impress their prospective
mates. The most spectacular part is the sound: when they dive the wind
whooshes through their wings with a *zoom*. I think I have described the sound
before as like a tiny sportscar whizzing past your ear. But that's how it
sounds when there's still light in the sky. By night they get bolder, and it's
more like a
full-size fighter jet whizzing past your ear.
The aerial dance of the woodcocks is the second attraction. While the
nighthawks "peent" from the sky, woodcocks "peent" as they strut on the
ground, then finally they take off with a twittering of wings, circling
overhead. The twittering changes to chirping as they descend, finally landing
in exactly the same spot on the same rocky clearing as before. On a warm
spring night Carp Ridge is alive with these sounds, nasal "peent"s, sudden
*zoom*s, and a twittering that seems to come from all directions (and that if
you didn't know better, you'd probably assume was bats.) It must be
experienced to be believed.
But the star attractions, the ones that haunt me, are the whippoorwills. For
seven years I've sought them. Last spring I heard one for the first time since
childhood. But to see one is a great deal harder. There's already little light
left in the sky when they first start to sing, distantly, from the woods. By
the time they make their way out to the roadsides it's almost dusk. Time after
time I'd listen to the breathlessly repeated "whip-poorWEEL! whip-poorWEEL!
whip-poorWEEL!" while struggling to see the bird that sounded like it was only
just past the shoulder, less than ten feet away, and, if field guides are to
be believed, perched in the open on a rocky shelf or on the ground. And I'd
never see it.
I told my husband that they seemed to have
both powers of invisibility
and powers of teleportation. Both were necessary to explain it. Because
eventually the whippoorwill would stop singing, and then I would immediately
hear it singing from down the road, without having seen or heard any sign of
its flight. (I think I've cleared that mystery up, though. Because two
whippoorwills singing at once is not a harmony but a cacophony, they seem to
have come to a gentlemen's agreement that only one in a given area shall sing
at a time. So once one bird finally runs out of breath, the next one starts
up.)
Last night (or this morning, it gets fuzzy at 4am), I finally discovered the
secret: eye shine. You don't have to point the flashlight right at them, and
of course you shouldn't! (Just point one at your own eyes for a moment and
imagine what that could do to a nocturnal bird.) Shine it on the road nearby.
Mild indirect light doesn't seem to bother them, indeed they don't even seem
to notice it. But their eye will catch the light and glow, a perfectly
outlined orange circle, looming large. Even through a dense thicket you can
see it. It's downright eerie, actually--especially when that glowing circle
shifts, then dances away. It gives me a fresh appreciation for the
superstitious folklore that once surrounded these birds.
Time and again I saw the eyeshine. A few times I saw the brief outline of a
wing when it flew. And while it was still too dark for me to get the proper
view I had always hoped for, I began to feel that there was something more
proper, more true, more essentially whippoorwill about this phantom figure
with a glowing eye, than if I had seen the body and the plumage.
Be that as it may, I did finally get what I'd always hoped for. In the first
light of dawn at quarter to five, I saw one clearly. By some optical illusion
it loomed large in my binoculars, looking much more imposing than the nine and
a half inches I was given to expect, but there was no doubt what it was. It
was more than a silhouette. I could see its brown and gray plumage, and how
seamlessly it blended in to the lichen-encrusted rock. It had been calling
softly before, but now that my sights were on it, it was completely silent and
still.
I looked away for a moment to swat mosquitos. When I looked back, it was gone.
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Marsh Slinkers
May 23rd, 2014
Here in Ottawa we have an ostensibly common bird called a Virginia Rail. It
took me over a year of trying to see one. And it has taken me
over five
years of trying to get a picture of one.
Rails are incredibly bashful. They spend their lives creeping, mouselike,
through thick stands of cattail. Their bodies are laterally compressed to
allow them to squeeze through narrow gaps between reeds. (Supposedly, they're
where the phrase "skinny as a rail" comes from.) You never see them in flight.
They don't flush when disturbed, they just slink away.
The trick, as it turns out, is sound. When you play back a recording of their
mating call at the right time of year (spring, mainly), they just can't resist
checking it out. And that is to thank for this:
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This handsome fellow came all the way out to the edge of the marsh for me. He
and his mate had responded vociferously to my playback, and he emerged with
the intent to send his (imaginary) rival packing. A car going by quickly sent
him scurrying back into the reeds. Having had my one good look, I stopped
playback. It's important to let the territorial male think he's "won" the
exchange.
Look carefully in the water--you can see his toes splayed out. Rails are
closely related to gallinules (such as the young Purple Gallinule I showed
from the El Rey wetlands), and like them, have long spindly toes suited for
walking on boggy ground.
It was only a few days later that I got my first picture of a Sora rail after
five years of trying. Soras are the answer to the question, "could any birds
be more impossible than Virginia Rails?" They're less common, and in my
experience, even shier. I have read field guides claiming that Soras are bold
and confiding (y'know, for rails) and will readily feed out in the open. I
don't know what kind of cruel joke those field guides are trying to pull, but
needless to say, that has not been my experience. Even Sora calls are a form
of camouflage. Their most common spring vocalization is a plaintive "ker-wee?"
that sounds just like a spring peeper.
(And neither Virginia Rail nor Sora can hold a candle to the famously
impossible Yellow Rail. In Larry Neily's words, "to actually see one, you'll
need a miracle." It is not yet on my lifelist.)
At the Nortel wetland, a Sora began to vocalize nonstop soon after I started
playback. I stopped after a few rounds to avoid causing undue excitement, but
the vocalizing continued. It was only a single individual calling this time,
and I got the distinct impression that it was not an angry territorial sora,
but an unmated sora hoping very much that it was about to get lucky. I thought
sure this very excited rail would soon appear, but I must have sat there for
at least fifteen minutes without so much as a glimpse--even a hint of
movement--even though it sounded like it was ten feet away from me.
Just when I was about to come to the conclusion that I had gotten fooled by a
frog, I saw it: a faint silhouette behind the reeds. For about five more
minutes I watched the silhouette, its neck arching back with every "ker-wee."
And then, at last, a curious face poked out of the tent of cattails.
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When I came back through almost an hour later, it was
still vocalizing.
Sorry to get your hopes up, fella. I hope a real opposite-sex-sora comes along
soon.
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